Lina Sophie Stallmann, the gallery’s founder, has a “very similar understanding of why being like a child is the best thing you can do when you’re trying to extract cultural goods [...] you can have fun and not be enacting your entire career in fear because you’re beholding to these weird social nets that you’ve built for yourself.” In a way, then, the gallery offers a new space for alternative dialogue that shows a new, light-hearted way of displaying and interpreting art. Those “still on the hyper-cold conceptual bandwagon,” upon entering Stallmann, “might just be charmed a little bit, and not know why.” [text by Caroline Georgea Hayes from an interview with Jack Sommerville]