In her numerous series, Lilly Lulay uses found photographic material that often stems from a private sphere. And this material comprises photographs that are generally considered insignificant and irrelevant for a broader context. Far removed from a private reality, these snapshots are synonymous with the stereotypes and peculiarities of a past photographic epoch. In her works, Lulay not only explores the question of what is being reproduced: she frequently also enquires into the mechanisms that have resulted in specific camera shots.