with Olivia Berckemeyer, Charlotte Bastian, Antje Blumenstein, Barbara Breitenfeller, Laura Bruce, Jonas Burgert, Max Dax, Martin Eder, Tine Furler, Axel Geis, Beate Gütschow, Gregor Hildebrandt, Sabine Hornig, Sofia Hulten, Jeroen Jacobs, Lisa Junghanß, Andreas Koch, Julia Krewani, Joep van Liefland, Catherine Lorent, Karla Marchesi, Frank Nitsche, Nik Nowak, Justine Otto, Manfred Peckl, Cornelia Renz, Jenny Rosemeyer, Anselm Reyle, Gerwald Rockenschaub, Sophia Schama, Thomas Scheibitz, Erik Schmidt, Andreas Slominski, Natascha Stellmach, Katja Strunz, Moritz Stumm, Corinne Wasmuht, Bettina Weiß, Saskia Wendland, Tilman Wendland, Mo Whiteman

Enraptured by healing, empty mental places, narrow streets, high consecrations, from landscape to portrait, the gateway to the public, desperate premieres, don’t expect understanding, control through morality, opaquely nested, will be celebrated later, a song of praise to the pure, cast the first Stein, through art history with the wrecking ball, a last cry, dedicated to good, homage to evil, woe to those who fall out of line, postmodern scenery magic, the main thing is to keep the right form, from the lowlands up to the gallery when the circus is over , a duel of facts, who is responsible here, that I have to serve the art, up to the staging of the content, the result turns into the opposite, a dilemma at the place of events, abysmal hatred, the powerlessness of the viewer, all at once everyone has disappeared without a trace, the criteria of selection according to their own laws, post-conceptual monumentality, the art of return, simply hold on your breath, slaps in the face and noble excitement, diabolical art pathos, benevolent bearers of hope, marching after the pennant, department store backdrops behind the mirrored wall, a mixture of styles, cold staged, what remains for the outraged protagonist, who rids himself of dignity, he climbs the stairs, a game of confusion, planned emotionality , in the time interval of a subjective reality, a padded cell on the director’s shelf.

©Lisa Junghanß, 2022