Given the artist's expansive investigation of the structures and possibilities of our perception, Matt Mullican’s Cycle at PRAXES will inhabit two connected chapters. The first will look at third-person narratives, spanning Mullican’s initial experiments with photographic portraiture, the first iterations of his stick-figure Glen from the early 1970s, and on to transcriptions of recent performances done under hypnosis—a series of repeated, almost musical utterances by “That Person,” the artist’s alter-ego.